Hansal Mehta’s Shahid and Omerta are strange films. With Muslim protagonists, based on the lives of real people — one of whom decided to turn away from terrorism and run headlong into socio-legal work, and one who decided to dig his heels into that very terrorism — both these films are extremely, intentionally dry. Similarly, Faraaz based on the 2016 Dhaka terrorist attack is a dry film of conscience. To know more about the film, watch the full review by Prathyush Parasuraman on Reviews and More by Film Companion.
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